I was in the United States for the past two months, from mid-July to mid-September, helping take care of my father, who was dying of cancer.? He died in late August.? In my time, I have known people who died of cancer, and have friends who have gone through the daily process of dying with loved ones, but I have never gone through it so intimately myself.?
When I say 'the daily process of dying with loved ones? it is because I think dying is rarely done alone.? The person dying obviously lets go of that last breath alone, yes, but the entire process - the tending to the feed tube, constant attention to adjusting the pain controlling narcotics, the cleaning and bandaging, and, more importantly, the words said here and there, the final stories told, the sitting in silence, the living in the paradox of wanting them to die quickly to alleviate their suffering while still desperately wanting them to live one more good day, the deep sorrow and the final letting go (for both the living and the one who is dying) ? are all included in one person?s death.? A form of death is going on for everyone who knows and cares about the person dying - whether they are sitting at the bedside or living a thousand miles away.??There was also, for me, the sadness and beauty of being in such close proximity to a story that was ending.? And the realization that a story ? for that is a large part of what we are - is not really complete until it comes to an end (most writers know that a story is not really a story until the end has been reached).
In those two months, I gained an insight into the incredible work hospice caregivers do every day, and found a deeper connection to the hundreds of thousands, the millions, of people who have gone through, and are, at this moment, going through this process (the hopelessness, frustration, and ? sometimes ? crazy dark humor and joy).
Two weeks after my father?s death I watched on television for an hour or so the ten year memorial service for the victims of 9/11 in New York City.? The ceremony was intense and beautiful because of its simplicity.? The family members of those who had been killed read aloud the names of the dead, sometimes adding a very brief personal note.? The loss these people had suffered was palpable in their voices, ten years later.? Unlike my father, who was 79 years old when he died, the lives of the people who died when the twin towers were attacked had been ? no matter what their age ? suddenly cut short.? In an instant, thousands of people had no father, no mother, no aunt, no uncle, no sister, no brother.? I remember the despair and feeling of dread during those first two days after the towers fell, all the photos of the missing against the walls near what is now called ?ground zero?.?On September 11, 2001, I was living in Sacramento. For days afterwards, as in all other cities, the sky was emptied of aircraft.? A few military helicopters made sporadic passes over the city.? I lived very close to the convergence of two major highways ? Route 5 and Route 80 ? and to a set of freight train tracks.? There was a constant dull roar twenty four hours a day from the trucks and cars constantly passing, and the steel clatter of trains backing up and coupling, or shooting by, blaring night horns for no one.? Because I lived surrounded by such constant noise, the silence that followed in the days after the attack became thick, almost claustrophobic, a wall of sorts, surrounding everything, trapping everything.? In retrospect, maybe the feeling of being trapped inside that silence was a kind of prophecy.? Walking through the city before the no-fly ban had been lifted and few cars were back on the road, I found these words sprayed in a shaky purple script at the northeast corner of 11th and S Streets:
I?M SCARED FOR THE FUTURE.?
Looking down at that graffiti I thought that 9/11 would give all of us Americans, as a unified nation, a glimpse into similar things that were happening, on a daily basis, around the world.? Bombs going off in public places, war crimes committed, mass executions, massacres???
I went home and put on John Coltrane?s A Love Supreme.? It starts with a soft cymbal clash, reverberating into the opening strains of a saxophone; tentative, searching.? The saxophone and cymbals give way to a droning bass.? Duh-duh Duh-dah.? A simple line.? When the saxophone enters again, it wanders around the room for several minutes before finding its way back to that same simple line: duh-duh duh-dah.? Eventually the bass line dissolves into a deep voice (Coltrane?s) repeating ?A love supreme, a love supreme, a love supreme...?? Duh-duh duh-dah.? Duh-duh duh-dah. ???
The music is not happy.? It?s not sad.? It somehow ascends and descends at the same time.? It is?praise.? For grief.
A Love Supreme is praise for grief.? That?s the best I can do to describe this music.? The voice, the saxophone, the bass, all come from deep inside the earth, repeating the same words:? A love supreme, a love supreme.? As I sat there listening, ten long years ago, I could feel that something was being coaxed out of the dark silence in the bedroom, out of the silence beyond the bedroom walls.? The music pushes right to the edge (of what, I can?t say), where words ? where even music ? reach a point of submission, of release.??
(I read somewhere ? or maybe I heard it on some radio program ? that sometimes Coltrane would reach a point in a solo where he would stop playing, beat his chest and scream.? When someone asked him why he did this, he answered that he had simply run out of horn.)???
At the end of A Love Supreme, the drums and saxophone merge, move fast, faster, begin to chase something.? They reach out and touch that terrible, transcendent grief, but, surprisingly, almost menacingly, they continue to reach, to keep exploring, showing me every time I listen that there is something else, deeper, close ??
?????????????
Listening to the family members read the names of the dead at the 9/11 ceremony, how could I not make the leap to all those civilians who have been killed in the decade-long war?? The nameless dead (in the US press, at least), labeled by the military (US, UK, or other NATO forces) ?collateral damage?; how not make the leap to all those people who got caught in the cross-fire in Afghanistan, in Iraq, in Pakistan?? How not sympathize with those in Afghanistan who have been killed because, ten years ago, their government gave sanctuary to al Qaeda?? ?
In the early years of the war, many civilians were killed by indiscriminate bombing.? Some of you may remember an independent study conducted by Marc Herold, a US economics professor at the University of New Hampshire, who accumulated data from aid agencies, the UN, eyewitnesses, TV stations and newspapers around the world, posting his information at Cursor.org.? He estimated that at least 3,787 civilians were killed by American bombing between October 7th and December 10th of 2001 alone.? According to Iraq Body Count the death toll among civilians in Iraq is now between 102, 868 and 112,419.? There are those who dispute the IBC methods of tallying the dead, saying the count is more in the range of 864,531 ? which I tend to agree with ? but what I?m trying to get at here is that, whether it's 100,000 or 800,000 ?? every count is terrifyingly high.? There are people ? real people ? behind all these numbers.? Brothers, sisters, fathers, mothers.? And none of these statistics include those that have been seriously injured or those that have been displaced, become refugees because of the violence (A UN estimate from 2007 claimed that at least five million people had fled Iraq between 2003 and 2007, to Syria, Jordan, Egypt and other countries in the Gulf region).?? ?
Who are all these dead?? Each one has a story.? I remember walking past an open door in my neighborhood in Sacramento in late October of 2001, overhearing someone talking on the phone, exclaiming ?They?re dropping bombs on the bad ones and food on the good ones!?? This was the US government line that autumn.? It still is.? Does anyone still believe this?? The awe and enthusiasm in the voice I heard through that open door is the belief of a five year old being told about Santa Claus.? Meanwhile, the ?good ones? and the ?bad ones? (whatever that meant - it seemed to change month by month, year by year) were both beneath that rain of bombs.??In recent years, in both Afghanistan and Pakistan, there has been an increase in the use of drones to do the hunting and killing of Taliban leaders.? One particular attack stands out for me.? In June 2009 a US drone launched an attack on a compound in South Waziristan, Pakistan. When locals rushed to the scene to rescue survivors, more missiles were launched.? The next day, drones fired on a funeral procession for those killed in the initial attacks.? The missiles were intended for Taliban chief Baitullah Mehsud, though officials later acknowledged that he had not been killed in the attacks.?
The reported overall death toll over the course of two days was at least 80.?
I remember being in canyon country in Utah when I heard the horrific news of the Hellfire Missile shot into the funeral procession.? Inside one of those coffins was a young boy, killed the day before.? Looking out over the canyons beyond the Green River, mesa after crumbling mesa on the horizon, I tried to imagine what it must feel like to carry a coffin so small.? What is the weight?? How do you feel it?? Who was that boy?? What was his name???These drone strikes continue unabated.? A recent study by London?s Bureau of Investigative Journalism revealed that at least 168 children have died in the Pakistan drone war (and between 386 and 775 civilians in total).?<
Source: http://christiengholson.blogspot.com/2011/10/dying-in-peace-dying-in-endless-war-and.html
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